(Another cute flower costume, this time for a young girl, though there's no special reason an adult woman could not do something similar.)
Pink silk stockings, white satin shoes, tulle skirt, short and full; cuirass bodice bordered with flowers; wreath of flowers in hand.
Source: Holt, Ardern. Fancy Dresses Described, 5th Edition. London: Debenham & Freebody, 1887.
(Here's a specific example of a flower costume, with three different variations, the first of which is illustrated at left.)
Short white dress trimmed with deep rich-coloured violet pansies, one large one forming the head-dress the petals standing well round the head, like a brim; the bodice made of dark petunia velvet, arranged to simulate the flower, the soft peach crêpe de chine draped with pansies; a fan in the shape of a pansy.
Or, dress of amber-coloured soft silk, trimmed with purple bands, outlined with gold; loops of purple and amber-coloured ribbons on the top of the sleeves; head-dress in the shape of the flower; white bibbed apron, embroidered in purple; a gold basket of hearts-ease carried.
Or, dress of violet tulle and satin with profuse trimmings of the flower; wreath and shoes to correspond.
Source: Holt, Ardern. Fancy Dresses Described, 5th Edition. London: Debenham & Freebody, 1887.
(Some advice on the popular — and very easy to assemble — flower costumes. Descriptions of flower costumes actually worn at an event may be found in the coverage of an 1890s "plant party." The descriptions given from both editions of this source are quite similar.)
A fashionable evening dress trimmed with any flower, and called after it, is the easiest kind of fancy costume; a tulle veil with a wreath is often worn with this, and China floral ornaments, a basket of the flowers carried in the hand. Sometimes the flower is imitated; as for example: Blue Belle, blue shoes, stockings, and short skirt cut in vandykes, yellow bodice, cap like an inverted bell with green stalk. Sometimes the dress is the colour of the flower, a violet evening dress made up with silver gauze and green leaves for a Violet, or the dress is embroidered with wild flowers, wall flowers, apple-blossom, ivy, fern, snowdrop, La Marguerite, heartsease, forget-me-nots, buttercups, or any flower personated. Fleur d'été and oracles des champs can be rendered after these fashions, or if more of a fancy costume is desired, the lower part of skirt is gathered in diamonds, and outlined with silver or gold braid, or leaves and flowers; the bodice made à la Louis XV., and trimmed with gold or silver; an apron with bib, and a coquettish hat at one side of the head entwined with the particular flower.
Sources: Holt, Ardern. Fancy Dresses Described, 2nd Edition, Illustrated. London: Debenham & Freebody, 1880.
A fashionable evening dress trimmed with any flower, and called after it, is the easiest kind of fancy costume; a tulle veil with a wreath is often worn with this, and china floral ornaments; a basket of the flowers carried in the hand. Sometimes the flower is imitated; as for example: Blue Belle, blue shoes, stockings, and short skirt cut in vandykes, yellow bodice, cap like an inverted bell with green stalk. Sometimes the dress is the colour of the flower, viz., a violet evening gown made up with silver gauze and green leaves for a Violet. Forget-me-not, blue satin dress, border of flowers, muslin fichu and cap, apron trimmed to match, blue hose, shoes, and mittens; or the dress is embroidered with wild flowers, wallflowers, apple-blossom, ivy, fern, snowdrop, la marguerite, heartsease, forget-me-nots, buttercups, or any flower personated. Fleur d'été, Fleur des Champs, and Oracle des Champs, can be rendered after these fashions; or if more of a fancy costume is desired, the lower part of skirt is gathered in diamonds, and outlined with silver or gold braid, or leaves and flowers; the bodice made à la Louis XV., and trimmed with gold or silver; an apron with bib, and a coquettish hat at one side of the head entwined with the particular flower.
Source: Holt, Ardern. Fancy Dresses Described, 5th Edition. London: Debenham & Freebody, 1887.
(A hilarious society column description of a themed party, though it doesn't seem to have included much dancing. Read all the way to the end for descriptions of some of the specific costumes. Thanks to Irene Urban for finding this article for me!)
From The New York Times, February 18, 1898:
THE HEWITTS' PLANT PARTY.
Society Assumes Vegetable Garb for the Season's Last Big Dance — Striking Costume Effects.
The last of the season's big dances, a revivification of the days of Louis XVI, who is credited with having stood sponsor for similar entertainments at Versailles, took place in the form of a "plant party" at the home of Mr. and Mrs. Abram S. Hewitt, 9 Lexington Avenue, last night. It was attended by several hundred of the city's wealthiest and most fashionable people.
As a novelty the plant party was a success. The edifying spectacle of richly costumed and bejeweled women carrying about on their persons imitations of various representatives of the vegetable kingdom, from squash and lettuce to meteor roses and orchids, and of men in conventional evening dress, with similar additions, was something enough out of the ordinary to interest the people concerned, and also plenty of others who were not favored with invitations.
The women guests were asked to go in costumes representative of some particular fruit, flower, or vegetable. The men appeared at the house in ordinary evening dress, which prevented too close a similarity to the Versailles "plant parties," and as each of them entered he received a vegetable adornment, artificial of course, which he was supposed to wear for the rest of the evening.
The feminine guests showed little tendency to clothes themselves in complete imitation of plants or fruits, but were contented with bizarre headdresses and vegetable garnitures, which were sufficiently startling without quite spoiling the effect of handsome gowns. One young woman carried in a staff adorned with garlands, and another had snowshoes carried in for her to complete her costume.
Mrs. Hewitt received her guests in a costume suggestive of violets, and carried real specimens of the flower. The Misses Hewitt, who assisted her, carried pinks and orchids. Mrs. P. Cooper Hewitt daughter-in-law of the host, who was with them, wore imitation red carnations in her hair. P. Cooper Hewitt and Edward Cooper were among the other relatives present.
The entertainment was of a vaudeville character and started abut 10:30 P.M. There were charades, tableaux, and songs, all furnished by the guests. Lander's Orchestra played, and supper was served about midnight. There was some informal dancing afterward, but no cotillion.
Mr. Webb's Make-up.
G. Creighton Webb created considerable amusement by appearing in an admirable make-up of red hair and beard and complexion to match. He disguised his voice with good effect.
The plant party is said to have been the first thing of its kind ever given here, though a vegetable party, in which men and women were both costumed, took place at Sherry's two years ago. It was a leap year dance, and was attended by a number of fashionable people.
Among the striking costumes were those of Mrs. A. Cass Canfield, who wore a basket of roses as headgear; Mrs. Francis Key Pendleton, who was in yellow satin, trimmed with small sunflowers, and wore the head of a tremendous sunflower in her hair; Mrs. W. Bayard Cutting, in cerise velvet, and wearing as a bonnet the half of a flower pot from which a stalk bearing pink carnations protruded; Mrs. Nicholas Fish, a costume designed to represent wild field flowers; Mrs. Stanford White, in yellow satin, with poppies over her head and used to trim the corsage of her gown; Miss Edith WInthrop and Miss Ruth Morgan, gowned to represent poppies.
Mrs. Victor Sorchan, in pink satin, trimmed with pink roses, and wearing a pink satin rose, which measured about eighteen inches across, on her head; Miss Kernochan, as a sunflower, with satin gown appropriately trimmed; Miss Mary Kernochan, a white satin gown covered with apple blossoms; Mrs. W. Stover Miller, in brilliant red tulle and wearing a Bacchante wreath of grapes and grape leaves in her hair.
(The original article may be found in The New York Times' archive, here.)